Marc Persing grew up in the little town of Lewisburg, PA, right on the Susquehanna River. His childhood was spent as a boy soprano with the Lewisburg Men and Boys Choir. He loved playing Atari and Pac-Man in his spare time, and watching reruns of The Brady Bunch. Although he started as a pre-med major in college, his first voice teacher encouraged him to pursue his vocal studies - which he did, initiating a transfer to The Hartt School of Music to major in opera.Read More
An exhaustive gift guide for the opera lover in your life from the Metropolitan Opera Chorus!
It’s that time of year! The annual season of love, joy and family. Oh… and gifts… gifts are kind of a thing this time of year too! With that in mind, the Met Opera Chorus have put their collective heads together to find the perfect gift for your biggest opera loving friend or family member. So, without further ado, to the list!Read More
On the evening of January 6, 2016, The Metropolitan Opera dedicated its performance of La Boheme to the memory of Alan Gordon, who passed away on January 1st. Alan was the executive secretary of the American Guild of Musical Artists (AGMA), the union which represents solo singers, choristers, stage managers, stage directors, dancers, choreographers and staff performers.Read More
As we rehearse on stage for the premiere of Sir David McVicar’s Metropolitan Opera production of Donizetti’s Roberto Devereux on Mar 24th, 2016, let’s take a moment to acknowledge the importance of costumes and costume designers in opera.Read More
Elinor Harper, Soprano, was a pioneer in the racial integration of the Metropolitan Opera Company. She was the first African American female to be granted a full-time chorus contract with the Metropolitan Opera Company in 1961. Elinor led a vibrant and distinguished career and retired in 1999.Read More
The first time that I heard La Donna del Lago was in college. It was a recording of Marilyn Horne and I wondered if I would ever get to hear it live because it was staged so infrequently. That, and who could sing the demanding role of Elena?
Fast forward to 2015 and I’m in utter disbelief that I’m only mere feet away from Joyce DiDonato and Lawrence Brownlee, the main characters in Rossini’s operatic adaptation of Sir Walter Scott’s 1810 narrative poem. They both make it look so easy and my predominant thought is how people should be beating the door down to hear this indescribably beautiful singing – and it’s LIVE! Real, live people singing in the most extraordinary, beautiful bel canto style. The whole cast is truly wondrous.Read More
La Bohème, December 5, 2015
Chorister Daniel Clark Smith joins an elite group of performers with his performance of Parpignol in La Bohème which marks his 100th solo performance at the Metropolitan Opera. The Performers Report, found on the Met’s website in the Archives, lists all company members who have performed 100 solo roles or more. Conductors, Dancers, and Singers are listed, with big names (Maestro James Levine at 2491) and small (dancer Linda Gelinas at 436, who just retired from the ballet last season) on the same formidable list. Daniel joins over 40 current and retired choristers in this distinction. You have seen the Chorus nightly as the townspeople and villagers in any given opera, but there are many opera roles that are actually performed by singers from the Chorus.Read More